‘The Kidnapping of Arabella’ Review: Chris Pine Speaks Fluent Italian in a Quirky Road Movie That Offers Equally Unexpected Surprises at Every Turn
Carolina Cavalli’s “The Kidnapping of Arabella” opens with one of the single most surprising things I’ve seen and/or heard in a movie this year: Chris Pine, swagged out in a skin-tight suit that makes him look like a yassified Nick Cave, seething with jealousy over Jonathan Franzen in seemingly perfect Italian.