The Art of the Monologue in Paolo Sorrentino’s Movies Takes Center Stage at Torino Film Festival
“My need to work on monologues originates from my love of literature. I usually pick novels that have little or no dialogue, so that I perceive the book as a very long monologue. Since I make films where plot twists are rare, if not entirely absent, monologues help me to have something masquerade as a plot twist that is just not there,” says Paolo Sorrentino