‘The Last One For The Road’ review: Francesco Sossai’s bittersweet comedy-drama follows a trio of Italian drinkers


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‘The Last One For The Road’ review: Francesco Sossai’s bittersweet comedy-drama follows a trio of Italian drinkers

‘Duse’ Review: Valeria Bruni Tedeschi Radiates Feverish Luminosity in Challenging Historical Character Study

Pietro Marcello imagines the twilight years of legendary Italian stage actress Eleanora Duse in the period between World War I and the rise of fascism.
The 61st Chicago International Film Festival meets the moment

Italian director Carolina Cavalli’s The Kidnapping of Arabella (Il rapimento di Arabella) (2025) pairs a restless millennial with an eight-year-old runaway who may or may not be her younger self. “It is a coming-of-age [story], but it’s one that happens in reverse,” Gordon says.
‘Duse’ Review: Pietro Marcello Unleashes Valeria Bruni Tedeschi on a Torrid Portrait of a Prima Donna

‘Duse’ Review: Valeria Bruni Tedeschi Lights Up This Twilight Tale Of A Fading Italian Stage Legend – Venice Film Festival

‘The Last One for the Road’ Review: A Low-Key Journey Through the Venetian Countryside

Italian Director Ludovica Rampoldi’s Clandestine Romance ‘A Brief Affair’ Scores Slew of Sales Ahead of Rome Film Festival Launch (EXCLUSIVE)

Onslaught of Italian Movies Set to Hit Fall Festival Circuit, Signaling ‘Great Resurgence’ of Cinema Italiano

Seven Italian titles are set launch into North America from Toronto. Seven will be bowing into Asia from Busan. Four will screen at the New York Film festival, and six in London.
Julia Roberts Calls ‘After The Hunt’ NY Film Festival Opening A “Top 3 Great Achievement Of My New York Life”
