Bringing the best of Italian cinema to US theaters.
Alice Rohrwacher & Nanni Moretti On State Of Italian Box Office: “The Public Is Always Less And Less” – Cannes Studio
For all the headlines about the U.S. box office’s erosion from streaming post pandemic, Italy has it far worse. The homeland of De Sica, Bertolucci, Leone and Fellini has seen its cinemagoing struggle well into the 1980s and 1990s. Moviegoing has always been in the big cities, not the coastal towns. Summer box office season? Nah, Italians go to the beach.
‘La Chimera’ Review: Josh O’Connor is a Grave Robber Seeking More Elusive Treasure in Alice Rohrwacher’s Enchanting New Film
In “ La Chimera ,” the ancient past nestles mere inches below the surface of the present, eventually breaking above ground and disrupting, if not the space-time continuum, the more mundane order of things. The borders between life and death feel similarly frictious and permeable, as if we could merely visit one from the other, as easily as sleeping and waking.
‘La Chimera’ Review: Josh O’Connor Is Superb as a Haunted Man in Alice Rohrwacher’s Beguiling Tomb-Raider Tale
Blending folklore, dreams, superstition and unvarnished realism, the new film follows ‘The Wonders’ and ‘Happy as Lazzaro’ in the director’s triptych set around her Italian birthplace.
Alice Rohrwacher’s ‘La Chimera’ Revels In Nine-Minute Standing Ovation At Triumphant Cannes Film Festival Premiere
Italian filmmaker Alice Rohrwacher’s La Chimera absolutely charmed the Cannes Film Festival audience at its world premiere in competition this afternoon, receiving a 9-minute standing ovation inside the Palais’ Lumière theater.
‘A Brighter Tomorrow’ Review: Nanni Moretti Puts a Playful Spin on a Director’s Late-Career Crisis
Sooner or later, the lead actor of the movie-within-a-movie being made in “A Brighter Tomorrow” jokes, disgruntled director Giovanni (self-referential cornball Nanni Moretti’s latest on-screen avatar) was bound to make a movie that ended with its protagonist’s suicide — the implication being, the world wouldn’t be so surprised to find the helmer putting a noose…
Marco Bellocchio On Making His Cannes Competition Title ‘Kidnapped’ To “Save” The Pope & Why Steven Spielberg Dropped Out Of Making A Similar Film About The Catholic Church
“I didn’t make a film against the pope or to condemn the Pope,” Italian filmmaker Marco Bellocchio said of his Cannes competition title Kidnapped at the official festival presser this morning. The pic, directed and co-written by Bellocchio, follows the story of 6-year-old Edgardo Mortara, who was stolen from his Jewish family to be raised in a Catholic seminary on the spurious grounds that a maid…
‘A Brighter Tomorrow’ Review: Nanni Moretti’s Fitfully Funny Portrait Of a Fuddy-Duddy Film-Maker – Cannes Film Festival
This one is a wholly populist gangster movie, perhaps a snipe at the rise of a more commercial Italian cinema with the likes of Salvo and, more pointedly, Sicilian Ghost Story .
‘Kidnapped’ Review: Marco Bellocchio’s Intriguing if Overheated Historical Drama About a Jewish Boy Seized By the Church
The Italian auteur’s latest feature delves into an incident that occurred in 1858, when a secretly baptized 6-year-old Jew from Bologna was handed over to the Vatican.
‘A Brighter Tomorrow’ Review: Nanni Moretti Gets Nostalgic About Cinema, Politics and Himself in a Meta-Memoir Strictly for Fans
A Palme d’Or winner in 2001 for ‘The Son’s Room,’ the Italian director returns to the auto-fiction that first put him on the international map with ‘Dear Diary.’
Cannes: 3 Questions With Isabella Rossellini
Italian film legend Isabella Rossellini took a break from the tour of her one-woman theater show Darwin’s Smile, to attend this year’s Cannes Film Festival, where she’s among the stars of La Chimera, the highly anticipated new film from Alice Rohrwacher.