Luca Guadagnino to Receive Special Award at Venice Film Festival

The Italian filmmaker will be showing his documentary “Joie de vivre” at the celebration of cinema on the Lido

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Luca Guadagnino to Receive Special Award at Venice Film Festival

The Italian filmmaker will be showing his documentary “Joie de vivre” at the celebration of cinema on the Lido
Luca Guadagnino to Receive Cartier Glory to the Filmmaker Award at Venice Film Festival

Sting-Narrated Documentary About ‘The Godfather,’ ‘La Dolce Vita’ Composer Nino Rota Boarded by Global Constellation (EXCLUSIVE)

Cinema Ritrovato Chief Gianluca Farinelli Appointed Artistic Director of Italy’s David di Donatello Awards

Farinelli replaces Piera Detassis who had been the first woman appointed to this role
‘Brunello: The Gracious Visionary’ Review: Giuseppe Tornatore’s Seductive Hagiography of a Fashion Legend

The ‘Cinema Paradiso’ director doesn’t even attempt objectivity in this gilded semi-documentary account of designer Brunello Cucinelli’s rags-to-riches rise.
In The Kidnapping of Arabella, Carolina Cavalli Channels the Anxiety of Growing Up

The director’s sophomore film, starring Chris Pine in an Italian speaking role, premiered in the United States on July 17
Venice Critics’ Week Unveils 2026 Selection With Films From Colombia, China & Tunisia

Venice parallel sidebar Settimana Internazionale della Critica (International Critics’ Week) has unveiled the lineup for its 41st edition.
The section, organised by the Union of Italian Film Critics (SNCCI) and focused on works by emerging filmmakers, will showcase seven features in competition and two films out of competition.
Colombia has a strong presence this year with two works tapping into the country’s turbulent history. Bibiana Rojas Gómez and Juan David Cárdena will compete with The End of Times, a radical essay film using archive footage and artificial intelligence to reflect on memory and colonialism. They are joined by countryman Sebastián Múnera’s Meteorite, which is described as an intense female-centred story set in a land still haunted by the ghosts of violence.
Venice Critics’ Week Lineup: Shalini Adnani’s Family Drama ‘Our Share of Sand,’ AI-Assisted Colombian Doc ‘The End of Times’ and More

There are no entries from the U.S., while titles from Italy and Colombia feature prominently
Venice Critics’ Week Unveils Political, Experimental Lineup

An AI-assisted video essay from Colombia, a Tunisian sci-fi dystopia, and an Italian coming-of-age musical are among this year’s Critics’ Week selections.